Mugs
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Gold Stegosaurus Mug - white
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- $50.00
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- $50.00
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Gold Velociraptor Mug - white
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- $50.00
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- $50.00
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Gold Pterodactyl Mug - white
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- $50.00
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- $50.00
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Gold Velociraptor Mug - white
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- $50.00
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Stegosaurus Tumbler - white
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- $30.00
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- $30.00
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Stegosaurus Tumbler - blue
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- $30.00
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- $30.00
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Velociraptor Tumbler - white
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- $30.00
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- $30.00
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MADE TO ORDER
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Made to order Dinner Plate
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- $52.00
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- $52.00
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Made to order Side Plate
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- $38.00
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- $38.00
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Bowls and plates
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Flock of Birds Side Plate - white
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- $38.00
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- $38.00
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Stegosaurus Noodle Bowl - blue
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- $48.00
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- $48.00
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Velociraptor Noodle Bowl with background pattern - white
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- $48.00
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- $48.00
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Velociraptor Noodle Bowl - white
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- $48.00
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- $48.00
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T-Rex Noodle Bowl - white
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- $48.00
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- $48.00
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T-Rex Noodle Bowl with background pattern - blue
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- $48.00
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- $48.00
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Parasaurolophus Bowl - blue
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- $37.00
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- $37.00
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Parasaurolophus Bowl - white
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- $37.00
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- $37.00
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new work
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Gold Triceratops Oval Vase with handles
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- $100.00
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- $100.00
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Flock of Birds Side Plate - white
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- $38.00
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- $38.00
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Stegosaurus Noodle Bowl - blue
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- $48.00
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- $48.00
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I MAKE WHEEL THROWN POTTERY THAT IS CREATED WITH CARE, AND MEANT TO BE USED.
Keith Hershberger is a potter living outside Philadelphia, PA who has been making a living working in clay for 25 years. A dino nut as a child, he could name every dinosaur discovered by the time he was four, and he spent countless hours drawing them. Now, with his line of dinosaur pottery, he found a way to bring some of that carefree childhood joy into his ceramic work. You can find his work in shops and galleries across the US, at shows throughout the east coast and midwest, as well as at The Highland Park Pottery Tour, a Pittsburgh neighborhood based house tour where ceramic artists invite the public into their homes and studios to view and purchase their work, which he founded with several friends in 2011. His work has been published in 500 Prints on Clay and in Graphic Clay by Jason Burnett. He graduated from Goshen College with a B.A. in Fine Art with a focus on ceramics.

Wedging
The first step in making my work is to cut up the clay and weigh it so all the pieces of clay are the correct weight for the shape I’ll be making. I then wedge the clay to make it consistent and work out any air bubbles.

Throwing
Most of my work is made on the potter’s wheel. After it comes off the wheel, the clay is very soft, and needs to dry out until it is firm enough to continue to work with it.

Trimming
Once the clay has dried to the point where it can't be bent, but can still be dented with a fingernail (a stage called leather hard), I turn my bowls and plates over and trim away the extra clay to create a nice foot

Handles
To make my handles, I attach a piece of soft clay to the leather-hard mug, pull it to stretch it out into shape, then attach it to the bottom of the mug. It takes me longer to use this method, but allows me to make a comfortable handle that is thin in the middle and thicker at the top and bottom attachment points.

Bisque Firing
After the work dries completely, I load it into the kiln for the first firing to over 1900F. This makes the work less fragile for glazing and removes all water down to the molecular level so they can never be turned back into workable clay.

Glaze Firing
Glaze is essentially a layer of glass. I formulate, test, and mix my own glazes using water and powdered raw materials. I dip the bisqued pieces in my glaze and load them in the kiln for the second firing, which needs to reach about 2200F in order for the glaze to melt properly.

Image Design
I create my images through a combination of drawing by hand, found imagery, and digital editing in Photoshop and Illustrator. I also take photos of textures I find interesting and layer them into my images.

Decals
I print my own decals, and after the glaze firing, I apply them to the finished surface and put them back in the kiln for a third firing. The decal paper burns away, but the iron oxide in the black ink sets into the glaze and transfers the image.

Gold
On some pieces, I do a final fourth firing with custom 20k gold decals